©Wayne Webb and constantwriting.blogspot.com, 2013. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Wayne Webb and constantwriting.blogspot.com with appropriate and specific direction to the original content.
Only Laugh When it Hurts
By Wayne Webb
Chapter 1
“You Suck!” The voice was angry and quick, loud and shades of
violence implied and it broke the Comedian's stride, again.
Bugger. Time to hit back, I've had enough of this
douchebag.
“Sorry, I don't do requests, and this is a comedy
club not a gay bar!” The audience reacted with a laugh at the retort, it was
unfortunately the biggest laugh he had got so far, but that didn't
matter now, an exit strategy was required.
“Booo! You Suck!” Seriously? How drunk was this guy? Couldn't he take
this elsewhere, why on open mic night?
“So where was I? Oh yes...”
“Sucking! You fucking suck!” The anger was being
overridden by alcohol and the words were slurring.
There were murmurs
of annoyance in the audience now, the tide was turning.
“Dude, come on do I come down to your work and tell
you when to suck? No, wait, that would actually be appropriate in
your line of work?” The comedian arched an eyebrow, the people
close enough could catch it and the laughter it generated rolled
backwards through the audience. He was unsure where the voice was
exactly but it was somewhere in the middle at a best guess.
This is going to be what people remember tonight,
remember about me and my routine. This fucking douchebag. Come on,
don't stop now, may as well milk it for all it's got? Oh wait,
there's my line.
“Come on man, don't
stop now, aren't you going to milk it for all its...” The Comedian
stops and looks up and to the right, his left hand lightly touching
this chin, Rodin's sculpture on stage. He can see directly the fellow
comedians in the upper wings, watching him, just enough light to see
them enjoying it, predicting the punchline. “... Oh great! Even
more gigolo advice for you!”
He throws his hands in
mock exasperation and shakes his head, the mime carrying the double
entendre back to the crowd who now want to be on his side, forgiving
the earlier bad material. The gag worked and the audience shakes
with laughter.
It carries forward and
the appreciation follows to the stage. Is this it? Oh my god, this drunk idiot is my
catalyst? Is this the tear that starts the rip? He'd been told this before,
sometimes laughter begets laughter. You can open the damn, get the
laughter flowing and once it is the laughter that follows is easier.
There's nothing like it, the first big laugh you get. Tearing the
hole and then pulling the audience apart with it, letting it all out.
The heckler is silent. Do I go on? Is there any more in the well? “Nothing more to say? I
mean I have 2 minutes, so feel free to use as much time as you like?
Will two minutes do?”
The spotlight comes on, the
lighting guy has found the heckler and he sits at the middle set of
tables, sullen and now in the spotlight. A woman to his left is
trying to shrink out of the light and a couple of men to his right
are laughing and crying with the rest of the audience.
“Actually I should ask
your boyfriends here right? Two minutes? Guys?” There's a pause and
the Comedian reconsiders his offer with a question framed as a
generous offer of kindness “One?” Is that all?” He makes a
semi-embarassed face as if he's sorry he even asked the question and
it sets off the next round.
The woman stands and tries
to leave the table, but that only makes the guy angrier and he lunges
and pulls her back to sit down violently.
The room goes quiet, the
stage a silent pool of liquid light.
The men with him stop
speaking and watch him holding the woman down, they lean over and
start to intervene but not before the Comedian adds in all
seriousness. “Dude, not cool.”
Then the bouncer arrives,
fading into view of the spotlight and pulling the man upwards and out
of the chair and separating the man from the woman, who has paled and
wears a face of hurt and surprise. The friends, such as they are,
check on her and leave the man to the sudden rush of strength that
challenges his gravity and pulls him out and away, rapidly towards
the rear door.
The man is angry and
unhappy, but cannot resist the pull that drags him away on his heels,
no purchase on the beer stuck velvet flooring.
The crowd applauds the
removal, and there is no coming back from that.
As the curtain at the
entrance is pulled around them the final view is of the Comedian,
blowing a cheeky and very camp kiss across the room. More laughter
erupts but the reaction of the ejected man is lost to the world as
the curtain falls back again.
“Well, where the fuck was
I?” More mugging from the stage, put out and broken by the
interruption. But now? Now he can do no
wrong. The light is flashing at the
rear, but he should try for one last joke while he has them on his
side. “You know what, there's no
coming back from that, so I'll leave you with a joke. My favourite
joke in the whole world.”
He waits, he looks from side
to side. He opened with this joke and it got groans, it was the joke
of an eight year old. It wasn't a funny opener, and it's not a funny
closer. It did however seal his redemption that night with the
audience, willing to laugh with him and not against him.
“What's brown and sticky?” The audience, primed and
wanting to ride the emotional roller coaster one more time respond,
hardly in unison, but certainly loud enough to carry the punchline.
“A Stick!” And the as
the Comedian giggles at the punchline they laugh, clap and cheer. Jesus, it really is like a drug. Thats fantastic. “Thank you ladies and
gentlemen... and drunks! You've been a great audience!” He waves and the MC takes
over still clapping him off the stage. “Ladies and Gentlemen,
Let's hear it for ...”
He's already gone, he's up
the stairs and heading to the Green Room. A cold tide of tension is
washed away by his survival. The fellow performers are there waiting
for him, he's the final act of the first set of the evening, three
compatriots are still nervously revising their material happy that
the drunk idiot has been ejected and that the audience is primed to
laugh on their return.
A few minutes of back
slapping and congrats and even a little envy. Am I one of you now? Have I earned my way in? The accolades of his peers,
they are as satisfying as the laughter still ringing in his ears.
He's buzzing still as he
leaves the club an hour later.
The Club Manager had pulled
him aside, worked him over with compliments and insisted on his
return. It was the first time he had not had to ask for another
night, another chance. They always said yes, let him refine his
technique, his material and to blood himself on the stage.
It sharpens you, the fear
and the silence of a bad night.
Head spinning he leaves the
club and his friends are now many and less morose than ever before.
Now it's not pity or empathy, it's envy.
Envy.
The laughter is still there
as he collapses to the ground, the ringing now screams. What the fuck? Why am
I...?
The world has spun on it's
axis and his legs cut out from his weight as he crashes, the sideways
pavement rushing upwards to slap his head, bounce it twice before
laying upside the world. Jesus, where did he come
from?
The man, the drunken
douchebag heckler.
He stands over him, swimming
in the air and then he reaches to the Comedian's midesection of out
sight but moving his hand and suddenly that weird pinch he feels in
his side is ripped violently open and wrenched through muscle and
sinew and white light erupts behind the veil of the night.
“Not laughing now are you,
you fucking...”
The sentence is left
unfinished. A hulking cloud of black
wool slams into the heckler, propelling him into the street and
thudding, snapping him down with a crunch that sounds as bad as it
looks.
The Comedian's pain is gone,
the knife ejected and thrown askew from the drunk's hand, pulled
backwards from the twist in his wound and away.
Relief pours into the hole
left in his abdomen as blood pours out.
He can hear someone calling
an ambulance, asking for the police as well as the power is cut from
the world.
No comments:
Post a Comment
Feel free to leave any comments about the project - but be aware I won't be taking suggestions, requests or feedback on the content or style of writing - I want to write what I want free of any one else's issues.