©Wayne Webb and constantwriting.blogspot.com, 2013. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Wayne Webb and constantwriting.blogspot.com with appropriate and specific direction to the original content.
ONLY LAUGH WHEN IT HURTS
By Wayne Webb
CHAPTER 20
The evening crowd
was filtering in and Tony was busying himself at the bar trying not
to think too much about what they had said to him. He just wanted a
quiet existence here in this sleepy village but he also felt drawn to
supporting young artists that wanted to perform.
He had expected the
worst when the propositioned him, he assumed they had made who he was
and wanted to take advantage of that in some way but they were just
kids and full of themselves and their dreams, at once selfish and
selfless in pursuit of happiness. They saw an opportunity for a
patron of the arts, but someone closer to their age and someone not
so rooted in the old that they would ignore the new.
What he thought
would be the end of his idyllic life was a chance to have someone
else find their passion. That made him pause though, was finding your
passion, what your special thing is that sets you apart, is that
always a good thing? For some it was evil and twisted, for some it
was being the best and the envy of others and for Tony, he was yet to
understand what it was that made him special, but that existed and he
had spent the last few years running from it. Now these kids were
barrelling down the road of their life at breakneck speed, intent on
proving their individuality like everyone else wanted to.
They begged him for
a spot, maybe a light turned their way. They would provide the sound
system, guitar, keyboards, mics and an amp that would be their sound
stage equipment. They had written songs of their own devising, they
had covers ready to go of Italian and English pop songs if they
needed to. They badly wanted to perform.
He wanted to say
no, he wanted to send them packing and pour cold water on their
dreams but instead as he was tensing up to dash their hopes he said.
“Yes.”
Scarcely had the
words left his mouth and he heard the agreement and was shocked that
he was not in the control of his willpower like he had assumed.
Three excited and
surprised teens ran the gamut of cool disinterest, enthusiasm and
over the top shaking with potential on the doorstep of the café. He
dismissed them to go and plan their debut, which they had somehow
worked into the proposal and now he was facing a live music trio with
the Thursday night crowd, the night after Opera evenings at the
church. Some of the people who were regulars would welcome the
addition of some local talent, others would find the noise and
attention seeking invasive to their placid late night drinking. Tony
wanted to feel like he was giving them a shot and a chance to hone
their skills, which they could take off to a larger stage. He also
did not want to feel like they were teetering on the edge of a cliff,
and he was standing behind them arms extended.
What was he going
to do now? There was nothing to do except let them try out, hope that
they were really bad and then let natural selection take its course.
Or perhaps pray that they were the next big thing and therefore be
out of his hair and out of his bar, taking the spotlight with them.
Embarrassingly the
young girl had kissed him exuberantly, there was no romantic
attachment but it felt out of place and awkward and she had called
him Patron, a reference to his position, to his support and to his
age. When did he become an artists father figure? Age crept up on him
and settled on his shoulders like dandruff, visibly unwelcome. Now he
felt that creaking weariness that others saw in him and he did not
like it one bit.
A life out of the
stage, a life lived more ordinary by design, and now he had aligned
himself unhappily next to centre stage.
The evening wore on
slowly and painfully, every drink poured took a lifetime and every
whispered conversation between intimate acquaintances at his tables
was shouted in his ears, he just wanted it all to go away, to close
early and go to bed pretend the evening never happened.
“Patron?” The
voice came from nowhere, and it made him cringe as he turned to see a
woman standing at his bar he did not recognise.
He looked about to
his left and right, hoping that she did not mean him, how could word
have travelled this far, this rapidly even in this small gossip
fuelled village?
“Excuse...?” He
left the end of the query hanging, as if expecting her to direct the
greeting to someone else, anyone else.
“My name is
Aida.” She smiled and extended a hand to him across the bar.
“Like the Opera?”
He did not take her hand, but she left it there hanging in mid air.
“Yes, my parents
were, still are really, big fans of the Opera.” She kept smiling
and the hand did not retract, her eyes steeling and yet amused,
daring him to turn down the offer.
Tony was caught the
gaze and did not move for a very long time, also said nothing.
“Are you going to
just...” Her smile widens and then finally Tony takes the hand and
blushes at his rudeness and his reticence in a single red faced
gesture of capitulation.
“My apologies, I
was … no one calls me Patron, it sounds so old and now twice in
one night.”
“Twice.” She
stated it but not as a question, but a confirmation.
“Twice. Once by a
child which is understandable but still hurts at my age. And second
by a … I assume less than middle aged but still not as young as the
first girl.”
“You are treading
dangerous ground tonight Patron.” Tony winced at her repeated use
of the term. “I think your 'child' would object to her being
portrayed as one and you assume my age is... what do you assume,
Patron?” That smile has never departed and she leans over the bar
to let Tony see her close up, and he cannot tell how old she is and
knows better than to try to pinpoint it out loud.
He holds up his
hands in mock surrender and motions to a seat at the bar.
“Old enough to be
served, but young enough to be served on the house?” He put on a
coy and innocent face, looking for amusement and forgiveness or at
least a truce to move onwards.
“Well said,
perhaps there is hope in you yet?”
“Hope in me?”
Tony picked up on the phrasing as he poured his favourite wine into
two goblets on the bar. “Do you mean for me?”
“No.”
“Oh?”
“Do you not know
your reputation Patron?” She waits patiently till both glasses are
full and then raises her glass to his in a toast.
“Happily no. I do
not. Salut.” They took a sip each and Tony savoured his while the
woman tasted it, for the first time this vintage, this vineyard and
appreciated it fully in a single mouthful.
“You are the man
who has given up.” She purrs this out seductively as this was an
attractive, amusing quality. She sees his face fall in response and
then understands. “Now I can see it, that's why they say it.” She
drains her glass. “But you must have some hope to give my child a
chance at his dream.” Placing the empty goblet on the counter top,
her gaze is direct and not flirting or seeking anything else. She is
thanking him.
“Ah. Which one is
yours?” Now it made sense how she knew and why she called him
Patron. He figured out now which parent she was. She was the widowed
mother of the youngest of the three. The girls father he knew, he was
drinking at a table with friends even now in his bar. The other one,
the middle boy who turned sixteen a few weeks after the girl, he knew
the parents from the Opera Choir group, they did not come by often
but they would speak to him on occasion about upcoming song choices.
That left the solo
mother, the widow with two children who very rarely went out at
night. If Tony had been more of a day person he may have crossed
paths with her shopping or out for other errands around her
children’s school schedules, but so far he had not.
And yet now, here
she was. Out of the house, at his bar and talking to him boldly and
not wearing black.
That was the other
thing that had scandalised the village women, she had refused the
black of a widow, refused the public penance and markings. No wonder
she never wanted to go out and deal with that.
Why was she here
now?
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