©Wayne Webb and constantwriting.blogspot.com, 2013. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Wayne Webb and constantwriting.blogspot.com with appropriate and specific direction to the original content.
ONLY LAUGH WHEN IT HURTS
By Wayne Webb
CHAPTER 15
Things had
progressed much faster than he had planned. The videos they were
carefully crafting for new material were being copied, edited and
remixed on the internet long before Tony had a chance to frame new
material around them.
His plan had been
to intercut the videos into his stage show, use them to surprise and
shock the audience once they were laughing. He felt like he was on a
roll material wise, had some clever jokes and was ready for anything
the live audience would throw at him, but he wasn't ready. The
internet made his material second hand before he even used it.
Editing software,
his own videos that he had been making money on and ones that
appeared as bootlegs from his earlier work were being cut into and
around footage of Tony, picking fights in places he shouldn't. His
work was still selling, and the fan fiction versions of his act, and
his penchant for self abuse were being snapped up and he was sharing
royalties with people who were essentially stealing his work. He
still made money, and likely it was much more than he would have
without them. Sure he was splitting profits, but the fresh approach
and the raw nature of these truly amateur videos made them real. More
real and therefore more honest than the work he would have produced.
He was being eclipsed by his own work being bigger and better than he
could make it.
The transition
almost made him redundant, in some videos the jokes were about him,
told by new and aspiring talent, some of it very funny. Funnier than
he was. It was still his image and his fame, and he still made a
large amount of money, on the legal versions where he got a cut, and
on the ones where he did not then his people shut the people down who
did not want to cut them in, but most of the time they would get the
exposure, the profits from the hits they got when Tony tweeted about
the latest version, which one of his people would do, would drive
inordinate amounts of attention and traffic their way.
Whenever a new
video was on the way, or news of a new amateur video of one of his
adventures was out there, and they had a profit share hooked in, Tony
would tweet #ouch to his followers, and he had hundreds of thousands
and they grew every day. They gathered momentum and sent videos
around, set up websites and sold merchandise. Tony's people were on
top of as much of it as they could and they snagged into the ones
that were moving serious product numbers, threatening legal action
where they had to but mostly just doing deals that split profits
rather than made no one any money.
He was getting
richer and more famous and less and less of it was because of him. He
had become a product he was no longer in control of. Worse than that,
what he 'was' was the product, not who he is or was trying to become.
So far he had done
no interviews and spoke to no one about the process, he had made it
as unexplained as he could. He ignored the articles about him and
gave nothing in response to the endless gossip and rumours about his
life and his motivations. He had done all this to keep some artistic
integrity, or so he thought at first but progressively what he
desired was control. He had ceded control unintentionally, thinking
that an agreement and a contract was worth anything. He had factored
that in, as had his management, knowing full well that it was trying
to hold water in your hands. You'll capture some, maybe even a lot,
but never will you get it all.
Things leak. The
people he used were not the only ones with cameras, they were not
even there alone in the first instance. Friends, partners it could
have been anyone near them or nowhere visible, but once it was known
that Tony was 'performing' it was time to charge the cam corder, make
room on the SD card and record it raw.
No one asked why he
was doing it, and to certain extent no one wanted to. On the surface
it was the most asked question “Why?” but the answer never came
and after a while no answer would have ever satisfied. If he had
articulated what he was doing, few people would have understood or
got the joke. If had supplied even a most interesting and valid
reason for his obsession with people laughing at his physical
mistreatment then it would have been an arguable point.
He had sought out
situations and provoked people into attacking him, pinpointing the
break points in his 'volunteers' and then hammering on them until he
paid the price. Any validation would have sounded insane. That was
another reason for never explaining the point of what he was doing.
He never said it to anyone. He never told his agent, manager, the
club manager who still wanted him to do a big night again, who still
had his picture on all his advertising, sometimes eclipsing once
bigger names, and faces, on the posters for his now famous club.
It had become a
running joke for visiting stand ups to slip on the spot on stage
where he had bled, all those months ago, that seemed like years but
was less than a half year.
What did he do now?
He could not even continue his project of looking for the right kind
of angry person, the person who needed or wanted their buttons
pushed. Now he was known too well. Even people who were not his fans,
didn't follow comedy, didn't find him funny or interesting, knew
exactly who he was.
Now no one would
touch him. People would come up to him and ask permission to hit him,
or asked for the chance to be in his act. In the conscious act of
knowing though, the videos lost their potency. They could not be
staged, they only worked if it not only looked real, but felt real.
And not one of them was anymore.
So now the
juggernaut continued without him. He had become as irrelevant as it
could possibly be to his own performance, he was unnecessary.
He may as well be
dead. It would have made no more difference.
Despite this
epiphany he did not go to a darker place, suicide was too predictable
and too easy. Also too final, can't hear your audience if your dead,
or in a coma can you? No, no you can't. So many people wanted to tell
him how much they loved and needed him, and how they didn't want that
to happen.
So many people who
wanted him to live could only talk to him about his death, and how
bad that would be.
Time to change,
time to reclaim his own stage.
No comments:
Post a Comment
Feel free to leave any comments about the project - but be aware I won't be taking suggestions, requests or feedback on the content or style of writing - I want to write what I want free of any one else's issues.