©Wayne Webb and constantwriting.blogspot.com, 2013. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Wayne Webb and constantwriting.blogspot.com with appropriate and specific direction to the original content.
ONLY LAUGH WHEN IT HURTS
By Wayne Webb
CHAPTER 9
A few
weeks had passed since Tony's return to the stage. There was still
plenty of media attention and people clamouring for him to appear
again. His agent, the comedy club manager and Tony al agreed that it
was better not to say anything or do anything.
Where
could he go from here? It had been such a short time since it had all
started. His attacker had still not stood trial yet, Tony was growing
more and more internationally famous everyday. His videos had been
dubbed and translated in many languages, and more people caught on
the to the videos and watched him bleed for their entertainment.
His
agent was concerned about giving away too much too soon. People would
grow bored and move on if they got too much of a good thing too soon.
So he cautioned against more appearances, or any kind of statement.
No one wanted to burst the bubble.
The
comedy club owner was raking it in and while he was fielding calls
about Tony’s next gig he was bringing in the crowds and the other
comedians were getting exposed and some big crowds even on the quiet
nights. It was like no one knew what could happen on stage, anything
or anyone could break it big next. The stand ups were bringing their
A game and the crowds were eating it up.
Everyone
was making money. Tony and his agent were pulling in 6 figures from
online advertising and it was growing not slowing. There was just
enough material to make a documentary about Tony's second stage
appearance, the one where he split the back of his head and bled.
Cell phone footage, a behind the scenes camera and the main stage
feeds all caught enough of Tony's preparation and after effects to
bookcase his performances which so far were short and light on
content.
The
preparation was nothing more than a mostly silent Tony pacing in the
green room, in reality shot hours before and not showing any of the
doubt that had crept in and sent him to the stage in desperate search
of the exit. It showed no extra writing, or jokes that didn't make
it. It showed no strategy and no real sense of a plan.
What
it did show was humanity. A performer nothing like his performance.
Interspersed with scenes from the news clips about the initial
assault and his injuries, the recovery time and close ups of the
wound shot while on stage, zoomed in digitally to provide a new and
fresh view for the people who had already seen the show.
When
he walked off stage the cameras caught him pale and in shock as he
had to be half carried up the stairs. People crowded around him and
blocked the shot of the drained-of-colour face and weakness of
movements as the blow to his head took it's toll. The Club manager
put himself in between the camera and the performer over and over
again, pushing the lens away or trying to tell the cameraman to stop
filming. They never did, and he never wanted them too, just to make
it look like a very serious situation and not for public consumption.
It was
all very interesting to the fans, but that was not what made the
copies fly off the shelves, or get downloaded in the millions when it
went for sale on I Tunes.
There
was no commentary, no explanation voice-over to the documentary that
said very little other than identifying the facts,the locations and
the players via text on the screen.
What
sold the movie was Jane.
The
horrified look on her face spoke volumes. No one blocked her shot,
and long after Tony had passed out and was no longer providing any
footage at all she was still being filmed. Begging for information,
pleading with the people around him to let her through, being held at
arm's length by various people and then just being herself.
She
was the emotion that no one else felt. Cathartic and appropriate,
where no one had sympathy as such for Tony, his injuries and fate
were after all the reason they watched, they had it in spades for his
girlfriend. No one can fake sincerity like this, and putting it front
and centre provided an arc for the film.
Jane
was quiet, silent mostly, for the set up and prelude to the gig. Her
initial reaction was not caught, no one expected the thudding slam of
Tony's head hitting the stage. Tony had not planned it, had not
warned anyone it was going to happen and did not telegraph it until
the moment he threw himself with force at the hardwood stage
flooring.
The
first shot of her after that was a classic shot of disbelief and
fear. Hands covering her mouth and eyes wide open staring at
something off camera. The cameraman backstage who was getting some
second unit shots for the behind the scenes clips that would
accompany the web cast later had the presence of mind to stick to her
for the rest of the act. She was in the wings, and he got behind her
at one point to show with some perspective a long shot of him maybe
twenty feet away from her.
He was
talking to the audience but the audio was terrible from that angle,
echoing and hollow sounding. It didn't matter as you could see him
unsteady on his feet and just before Tony has raised his hand to rub
the back of his head, if you knew what was coming you could see that
there was blood dripping on the back of his shirt. The camera saw it
and zoomed in. Jane saw it and made a strangled noise.
Her
body was coiled and ready to move, twitching and jumping but never
breaking free of her own fear to go to him on stage.
Everyone
waited for Tony to finish and come off stage.
When
he finally did he had a 30 minute show of material, some of it good
and some of it ok. His shirt was soaked in places, but as the head
wound was superficial it has stopped bleeding by the time he got off
stage.
There
was plenty of blood though and this and the shock and the waves of
applause weakened him in the moment and he fell into the wings more
than walked off.
Jane
caught him and steadied him.
He
hung in her arms for a few perilous seconds and no one else moved.
Then she pushed him upright and he rose in her grasp to stand on his
own two feet.
He had
a huge smile on his face and while the camera did not catch the sound
of his words you could easily see that he was asking her “Did you
see? Can you hear that?”.
Then
his eyes rolled back in his head, and he fainted into her arms again.
That
was the closet she was to him that night, bodies swooped in and
carried him to safety, away from the stage and away from Jane.
Her
isolation and fear made up the rest of the film cut in with shots of
an ambulance and the hospital even though he never went there.
They
went back to their apartment where he slept and she did not.
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