©Wayne Webb and constantwriting.blogspot.com, 2013. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Wayne Webb and constantwriting.blogspot.com with appropriate and specific direction to the original content.
Bollywood in Budgee Springs
Chapter 8
Ash has an office set up in the back of
one of the set trucks, it's set up to be a mobile production office
with power and lighting, even a desk and some chairs that fold up
nicely when in transit. Scripts and paperwork are strewn all over his
desk and through the opaqueness of the makeshift window it is clearly
late at night that Ash is working.
Kiran and Hardeep have taken the shoot
schedule for the next two days and running them up against the
location notes they had been given from the scout that had toured the
sights with Max weeks ago. Ash is back in the books for the company,
trying to find where all the money is going day-by-day, his years in
business school were a help, that was for sure, but no one on the
payroll was that good at keeping receipts and track of where things
were going.
When he had bought into the film
company it had been a good investment, on paper at least they made a
decent amount of money. It helped that they had the stars and the
talent to make movies that were not only good but also popular. His
parents had pooh poohed the idea of his taking on a project like
this. It was doomed to failure and they refused to invest what they
thought was good money after bad, in their eyes. At first that had
been fine, the need to stand on his own two feet forced Ash to make
competent and hard choices about how the company was run and how
things would operate in the massively inefficient production company.
A number of employees, some in key
positions, were gorging themselves on the fat of the expenses and
operations budgets, and with little shame or pretence. They had to
go, but it was not a calm or collected blood letting when tearing off
the leeches. Ash learned the hard way that when these particular
suckers came off, they tore their pound of flesh, and had many more
teeth than they appeared to on the first glance. It was brutal and it
depleted the coffers by a decent margin, but they were still in the
black by a little bit. They needed to invest in newer, more
trustworthy staff. They trolled and poached through the older
employees of other production companies, ones that would find it
harder, if not impossible, to make career leaps at their age. People
not desperate, but in need of finding a steady employer, people
dedicated to the craft, whatever it was.
At the core of the company, the man he
had purchased along with his business was the heart and soul of the
art that was made in the company. He had a number of protégées who
directed film after film, all with the signature of his guidance
stamped firmly on them. His name as a producer was like gold, his
name as a director was a licence to print money. Ash and he had made
two pictures together before he died, suddenly shockingly and without
any of his future contractual obligations signed up.
The younger directors whom he had
mentored, were poached before the body was cold and Ash left his
funeral and came back to the office the next day with himself, a
skeleton crew and a few hardcore and loyal employees. The great man
had presence and had style, everyone wanted to work for him, to be
like him. No one needed a contract to make them be there. That had
been Ash's doing that contracts would need to be locking certain key
talents in place. They had the crew, the cinematographer and Hardeep
locked in and with an iron clad contract with their company before he
passed. There was no out for them, Hardeep took it badly to see all
his competitors taking all the talent he had so patiently developed
with his former boss, all that wasted potential and he was tied up
tighter and tighter but a piece of paper, one Ash had cemented around
him.
Kiran had been the easiest get after
the Director had died, she signed on without hesitation. Kiran knew
Ash through his family and hers, they had history and a connection
that was shared. Kiran was the insider that drew on her knowledge of
the players and the business to help him settle on this as an
independently run concern, away from his family's influence. Their
money would have shored the company up when the great man passed
away, they could have bought back the people they had lost, but Ash
had made his bed and now he was lying in it, on borrowed money.
When they had taken the loans to
re-invest in the future films they had a stable of actors, directors
and a marquee producers name to bring in the punters and fill the
seats of every theatre they could distribute to. That game had
changed and now he needed to deliver a knock-out punch of a film,
make the money back to pay them off, get their claws out of the
business. Ash could not quite see how close the wolves were, he could
sense them just outside and baying for whatever blood they could
bleed from them, maybe even turn the deal around and lock them in to
producing money making films, at the cost of their souls and whatever
other corners could be cut.
This needed to be a hit, needed to be
in the theatres fast and it needed to cost less and less than it was,
but without anyone else getting behind the lines and interfering with
it. The amount of information and influence that the 'investor' had
in India was stunning, he was being told how to correct and change a
movie that he had not even seen the daily rushes of, before the sun
was down on the filming day. Australia was just foreign enough, juts
far enough to get out from under that all seeing eye, at least for a
while.
“How's it all going then?
Do we have a hit on our hands?”
Ash jumped, he had not seen
Max arrive at the open back door of the truck, but there he was
climbing up and in to see how he was going.
“How’s the crew settling
in?” the Mayor seemed genuinely concerned.
“As well as can be
expected I guess. You know how it is …. a new place, even if it is
for a few weeks only. Things seem to be OK, which is good. Things are
always … interesting on location.” Ash wondered how much the
Mayor knew about the film, the position they were in and how big a
chance they were taking. He decided to distract him with an as yet
unshared detail “The elephant arrives tomorrow, and shooting begins
the day after with the main street dance.”
Max sighed, it was sooner
than he wanted, the plan had been to get the Townsfolk a little more
hooked on the idea of being in a film, before they got to the musical
numbers, he knew his Dad would be dead set against that. “The Big
Dance eh? Listen, about that, when I kind of arranged this movie, I
didn’t really...”
Max took a deep breath as he
processed the information he had been given. “Which Elephant is
this exactly?”
“There is but one
Elephant, it is the one crucial to the theme of the whole film. We
have made all the arrangements, the transporter arrives tomorrow and
we'll make as much use of him as quickly as we can. The wrangler will
be along with him, it will need to be quick.” Ash could see the
Mayor thinking.
“When you say Elephant, do
you mean like, Grey, Giant and.... “Max made a “PAAARP” noise
and a trunk motion framed as a question.
“Yes, it is an Elephant,
like you have in the Zoo, like we have in our country. I assume you
could think of it like a Kangaroo, it is recognisably Australian and
you could easily source one if you needed to, yes?”
“And you can do the same
with Elephants?”
“Not quite, but it is more
common than you think, weddings, parties, Massala films... Elephants
are a part of the business.”
Max wondered how this news
would sit with the townspeople, it could either be the 'straw and the
camel' or it could the perfect distraction, like the circus was
coming to town. He kept his fingers crossed for the latter. “I
guess it would have to be the right kind as well?”
Ash rolled his eyes. “Indian
audiences are very astute, if they see an African elephant in an
Indian movie? They’d be all ‘look at the ears on that!’ and
stuff. They don’t care about post synching, but they have to be
authentic in Indian details.” The conversation about the look of
the Elephant had already taken too much of his time when they tried
to pass off an African one on him from a catalogue online when he
arrived in the Sydney offices of the Elephant supplier.
“It's not good being
judged on the tiniest details of everything you do, especially when
it's all out on the open like that.”
“Making movies isn’t as
easy as it looks you know.”
“Try being Mayor in your
fathers footsteps sometime.” It was an offhand remark but instantly
Max thought he had spoken out of turn and he looked up too quickly at
Ash who was staring at him.
Silence hung between them
for a minute and then Ash looked around the trailer.
“A father's example and
expectation is a burden I can... appreciate.” It was an invitation
of sorts, Ash pointed to the second chair and Max sat down, breath
leaving him in a rush as the tension was let out for a moment.
“You have people who need
you, I am twenty years younger than anyone except my wife in this
town. They don;t need me, not really, the town is dying with it's
inhabitants. I want it to live, I mean to grow and pass something on.
I want Budgee Springs to have a legacy, to be more than it was and be
something it can be.”
“We’re not too … we
are both trapped by the expectation of the past you and I. We can
make this movie work my friend” It was a frank and bold assessment
to make, but Ash felt an affinity with this man, and he had seen the
way that the town looked at him, the way they tolerated him to move
forward, but ready to pull back on the leash at any moment.
Ash knew exactly how that
felt.
No comments:
Post a Comment
Feel free to leave any comments about the project - but be aware I won't be taking suggestions, requests or feedback on the content or style of writing - I want to write what I want free of any one else's issues.