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RESURFACING
By Wayne Webb
CHAPTER 3
Italy
Meticulous,
that was the word I was thinking of, meticulous. Everything in order.
Not just in place, but in the right place, the right time and the
right angle. Life was never this meticulous, never this perfect and
never showing this degree of order.
That
is the joy of hotels, the more anal and obsessive compulsive the
better. Left to your own devices this kind of setting never presents
itself without hard work and planning. The regularity and
meticulousness of doing this as a daily task only comes from
obsession or employment. The business of keeping it like this is the
benefit and joy of hotels, even the ones that are only four stars,
they have an edge over the flop houses, apartments and boarding
houses of three stars and below where you rely on the cleanliness and
obsession of the person before you.
You
rely on their natures but you generally are sharing more bodily fluid
that you want to admit.
I
can hear the vacuum cleaner buzzing in the room next to mine, the
adjoining doors between the rooms lets through only the lowing hum of
the machine at work, removing hair, skin and fibre from the floors
and the furniture. It's my room next and I am torn between staying
for the performance, watching the artist at work and leaving them to
the job in peace. What kind of artist really wants to be watched as
they work their masterpiece? Only the kind where the art is not about
the piece, but about the artist.
Cleaning
as a work of art is about the result, not about the process. You can
know too much and you have the temptation to shape the result,
something most people do not take kindly to. Don't tell me how to
clean, what order to do it in, how I could do it better? I imagine
this is what it must be for any artist with an audience, you want
them to appreciate what you do but there is a line not to cross.
The
arrogance of the audience, I love your work but it would be better if
you listened to me.
No,
that is as mad as you can get. The art made to specification is not
art, that is when it becomes design.
So
leave them to their art, I do not want the cleanliness of my room to
be sullied by the specificity of requests. So I must burst the bubble
and take in the chaos of the outside, which I would definitely have
to do at some point. My feet have already begun to tap to the rhythm
of the streets, hands planted in my pockets and readying them for the
cadence of walking to the beat of the streets.
There
was a pattern and effectiveness to what seemed like chaos and
imminent catastrophe. That was the thing about Rome, if you were
uninitiated then it seemed like madness and everything was barely a
split second from disaster. Those things, those worst case scenarios
never eventuate. All the time I see people almost getting run over,
almost coming to blows, missing the speeding train, bus or motorcycle
in the blink of an eye all have the one thing in common.
Almost.
For
all the potentially tragic outcomes, the shock and fear of the worst
is the worst I have seen. Maybe I am lucky to have never crossed
paths with the unlucky, maybe I am just blind to the misfortunes of
others, but all of that is adding up to the pattern I think I have
detected, the innate ability to dance among the moving parts of the
city of Rome and survive within it's ancient boundaries.
Maybe
age has something to do with it, the Coliseum, the Roman Forum and
the churches that lurk over every corner with friezes and pastries of
stone offering history for every meal. Every one of these things
remind you how old, how much a survivalist the city has become in the
millennia that it has existed. Home has barely a quarter of a single
millennium, let alone it's plural forms. Where you would think that
entropy has bent the city to it's will, instead you find the wise
bones of a living thing.
The
Eternal City, a cliché but one born of a singular truth. Eternal
before it became old, it was named so in it's infancy, a prophecy of
longevity if ever there was one. I wonder about my home town and
can't imagine Sydney two and a half thousand years in the future.
It's only just recognisable merely two and a half centuries from it's
beginnings. It is one tenth of the age and has one tenth of the soul,
and so this is where I feel like home now.
That's
what drew us to the place when we were young, when we last touched we
touched here. The circular notion of returning to what? The scene of
the crime?
The
cleaning crew have moved through my room with a CSI like efficiency,
obliterating the diret and the detritus that I have brought with me
on the short trip from the airport to the train to the hotel. Three
stops after the antiseptic sprayed flight landed at Fiumicino and all
I really have is some small dust and a lot of sweat, but it is still
refreshing to hit the refresh button after my walk around a few small
city blocks near the Roma Termini and come back to my room all
cleaned and turned again.
I
spin around in the space, looking to see I am alone, when I know I
am.
The
bins are empty and the beds are turned in neat corners ready to
receive whatever they might in the Eternal City, the city of love and
lovers.
Why
am I stalled in my hotel room? What draws me to the neatness and the
tidiness of it, that keeps me from finding her, from seeking the
truth. She drew me here, and I hide in this dirty hole like a rat
avoiding the sun.
Just
like that the imperfections become visible and the room becomes
painful to be in. The darted folds in the toilet paper rolls look
like knives, cutting and stabbing at me. The bidet, functionally
clean but a history of the most intimate of contamination that could
ever exist, could it ever be clean enough now? It screams it's filth
at me.
I
need impetus and it's coming to me uncomfortable and raw, pushing me
from my safe haven and back to the streets, despite the sun's retreat
and the clouds that foreshadow a change in weather, I am out the door
and breathing heavily on the little road that feeds scooters into the
bloodstream of the downtown traffic arteries.
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